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Again, this won't appeal to all viewers - but it's rewarding to see the art and skill that's applied to this quirky little ghost story, and it's worth watching a connoisseur of the genre, as Mr. Part of the enjoyment of the experience of watching "The Innkeepers" is the leisurely pace at which it unfolds, the precision and balance of many of its shots, and the elegance of the editing. For added fun there's even a long tracking shot showcasing one of the more mundane aspects of the hotel's behind-the-scenes functions. West also divides his work into chapters like the Kubrick classic, and he takes several opportunities to stage shots either peering down long corridors, or skimming along at floor level. In case we're still unclear about the connections, Mr. We're invited to ponder questions about emotional resonance, how stories end, and what it means for a place to be truly haunted. We have the empty hotel populated by just a few characters, the tragic history of the site, and the older person as a guide to the spirit world. There are particular references here to Stanley Kubrick's "The Shining", in terms of setting, shot composition, mood, and atmosphere. West's latest once again includes stylistic callbacks to earlier eras, revisiting the late 70s/early 80s oeuvre. and whether those tricks can in fact prove deadly.Īs with his earlier work, Mr. It raises questions about perception and the mind's sneaky tendency to play tricks on itself. What's fun, interesting, and ultimately pretty entertaining about the film is the collection of small scares that seem like something but aren't, and how these false starts crescendo in the end into a genuinely frightening experience. Alcohol is consumed, feelings are confessed, and something tragic and terrible takes place in an upstairs room.īut trying to follow the plot thread of "The Innkeepers" kind of misses the point it's something of a shaggy dog story, after all. There are eerie voices, phantom notes played on the lobby's piano, and the inevitable warning to avoid the basement. Claire and Luke work in shifts he naps, she goes out for coffee, they respond to the needs of their remaining guests, and in between they putter around with EMF detectors and sound equipment, seeking evidence of a ghostly presence. The Onion News Network's Joad Cressbeckler) who has a history with the hotel. As the last two staff on site, they plan to use the closing weekend of the hotel as their final opportunity to investigate its haunted past and try to contact the ghost of the previous owner, who supposedly lingers there due to a romantic misfortune and a suicide.Īlso on premises are a handful of final guests: a former actress-turned-medium (Kelly McGillis, of "Top Gun" fame, virtually unrecognizable with short grey hair), an uptight woman and her son, and an elderly man (George Riddle a.k.a. Claire (Sara Paxton, "The Last House on the Left") and Luke (Pat Healy) have the easy camaraderie of long-time associates, and they share a unique hobby: ghost hunting. The story, which unfolds over the course of a weekend, concerns a couple of staff members at an aging hotel that is in the process of going out of business. But genre enthusiasts who are looking for a creepy, old-fashioned horror tale that doesn't rely on CGI sleight of hand should find much to appreciate here.
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Viewers who felt let down by the payoff of the former will probably have a similar experience with "The Innkeepers". West's latest offering, "The Innkeepers", will probably depend on whether you found HotD's conscientious pace and deliberate aesthetic intriguing or exasperating. Did you happen to see director Ti West's 2009 film, "House of the Devil"? If so, your enjoyment of Mr.